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サモアについてのうた
(Samoa ni tsuite no uta)
A song about Sāmoa

A keynote lecture with interdisciplinary artist Yuki Kihara

Thursday, June 13, 2019
5:30 p.m. – 6:30 p.m.
Concordia University
1515 St. Catherine W
Room EV.1-615

In English
Free Admission, No reserved seats
Presented by GAX 2019

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‘サモアについてのうた (Samoa ni tsuite no uta) | A song about Sāmoa’(2019–) detail by Yuki Kihara.
Funding received from Creative New Zealand – the national arts development agency of the Government of New Zealand. Courtesy of Yuki Kihara and Milford Galleries Dunedin, Aotearoa New Zealand.

ART SPEAKS is a proud sponsoring partner for the keynote lecture of the Global Asia/Pacific Art Exchange (GAX 2019) in Tiohtiá:ke (Montreal) on the theme of Asian indigenous Relations in Contemporary Art.

In this keynote presentation, Yuki Kihara discusses her new body of work, whose title is adapted from a popular Japanese song entitled ‘サモア島の歌 (Samoatou no uta)’ meaning ‘A song from Samoa.’ Music textbooks for elementary school students in Japan feature the song. The lyrics describe the Samoan archipelago situated in the Moana — an Indigenous pan-Polynesian name for the Pacific continent — as a paradise on earth settled by ‘noble savages’ — a typically romantic, Orientalist imagining of neighbouring Island nations held by Japan dating back since the Edo period in the 17th century.

The work serves to subvert the colonial gaze by shedding light on the lived experience in the Moana while reframing the relationship between Japan and the Moana, specifically Sāmoa. The work takes an Indigenous interpretation of trans-Moana identity, gender and history, while referencing the interracial Samoan and Japanese heritage as a point of conceptual departure.
This lecture explores the conceptual threads behind the work’s first five of 20 ‘Indigenized’ kimono presented across five iterations — from 2019 until 2023 — and created by the artist with the Indigenous audience in mind.
A launch of her book, Samoan Queer Lives (Little Island Press, NZ) co-edited by Kihara and Dan Taulapapa McMullin, will follow the keynote lecture.

About Yuki Kihara

A native of Sāmoa, Yuki Kihara is an interdisciplinary artist whose work seeks to challenge dominant and singular historical narratives through visual arts, dance and curatorial practice, engaging with postcolonial history and representation and how they intersect with race, gender, spirituality and sexual politics. Kihara lives and works in Sāmoa. The Metropolitan Museum of Art featured Kihara solo exhibition, Living Photographs, in 2008, and subsequently acquired her works for their permanent collection.

Kihara’s works are also in other major collections including the Los Angeles County Museum of Art, the British Museum and Giorgio Armani, as well as in numerous exhibitions including the Asia Pacific Triennial (2002 and 2015), Auckland Triennial (2009), Sakahàn Quinquennial (2013), Daegu Photo Biennale (2014), Honolulu Biennial (2017) and Bangkok Art Biennale (2018). Kihara is a research fellow at the National Museums of World Cultures in The Netherlands.

This Centre for Interdisciplinary Studies in Society and Culture (CISSC) event is co-presented as part of the international 2019 Global Asia/Pacific Art Exchange, entitled “GAX 2019 Tiohtiá:ke/Montreal: Asian Indigenous Relations in Contemporary Art,” from June 11-15.

The CISSC is working in collaboration with the Asian/Pacific/American Institute at NYU GAX Network; NYU Global Research Initiatives; the Office of the Provost; the Concordia University Research Chair in Ethnocultural Art Histories; Art Speaks; and the Gail and Stephen A. Jarislowsky Institute of Studies in Canadian Art.
Check out the complete program or email GAX2019Montreal@gmail.com.

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Art First; All Else Follows
A Talk by Jerry Saltz

Wednesday, April 3, 2019, 7pm
Théâtre Outremont
1248 avenue Bernard West

In English
Free Admission, No Reserved Seats
Presented by Art Speaks

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photo credit Celeste Sloman


photo credit Eve Tagny

“Art tells you things you didn’t know you needed to know.” – Jerry Saltz

Art Speaks is pleased to present leading art critic, JERRY SALTZ for its upcoming talk.

Jerry Saltz’s witty, provocative writing portrays art and the shifting art market with sharp insight. He has been dubbed the “people’s critic” for his ability to bring art to a broader audience, and for his notable role in stimulating energetic debates on art and politics through social media.

Since 2007, Saltz has been the senior art critic at New York magazine, and has formerly held the same position at the Village Voice from 1998 to 2007. He is the recipient of the 2018 Pulitzer Prize for Criticism, as well as the 2015 National Magazine Award for Columns & Commentary. He has taught at Columbia University, Yale University, and The School of the Art Institute of Chicago, and has written for Frieze, Parkett and Art in America, among many other publications.

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What does art have to do with the price of fish?
A Talk by Zita Cobb

Monday, November 12, 2018, 7 PM
DB Clarke Theater
Henry F. Hall Building
1455 De Maisonneuve Blvd. West

In English
Free Admission, No Reserved Seats
Presented by Art Speaks

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photo credit Eve Tagny

As a dynamic thinker and successful social entrepreneur, ZITA COBB has inspired many around the world with her visionary approach to creating meaningful change in her home of Fogo Island, Newfoundland. Zita’s initiatives have helped build a new leg on the Island’s economy that had been left bereft by the collapse of the cod fishing industry. Her first project, Fogo Island Arts, is a world-class artist-in-residence program that brings Canadian and international artists, curators, writers and thinkers to live among the island’s communities and work in architect-designed studios placed on bluffs overlooking the Atlantic Ocean. Alumni of the program include artists Jumana Manna, Abbas Akhavan, Brian Jungen and Janice Kerbel. 

Through Shorefast, the charity she founded with two of her brothers, Cobb has added numerous initiatives that admirably accomplish her goal of creating resilience for her community. Her powerful story and her commitment to philosopher Dr. Gill Chin Li’s belief in “creating a global network of intensely local places,” will be at the heart of her talk in Montreal. Zita Cobb’s exemplary approach to rural renewal has earned her global praise, an honorary doctorate from Mcgill University as well as the 2016 Order of Canada. 

The talk will be followed by a conversation with Nicolaus Schafhausen (Strategic Director) and Alexandra McIntosh (Director of Programs and Exhibitions) of Fogo Island Arts. 

ART SPEAKS is dedicated to presenting a platform of international artists and thinkers to provoke and stimulate thought.

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Frances Stark
Thursday November 17, 2016
Maxwell-Cummings Auditorium
1379A Sherbrooke street West
Montreal Museum of Fine Arts

In English
Presented by ART SPEAKS

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Frances Stark is a mid-career, interdisciplinary artist based in Los Angeles. Using text, images and literary sources, she mines the complexities of everyday life for her provocative subject matter. Celebrated for her unabashed approach, she reveals herself in her work — utilizing the personal to speak to complex concerns related to the broader public, in the manner of literature.

Osservate, leggete con me, currently on view at La Biennale de Montréal will be a jumping off point for Stark’s discussion on the important role dialogue has played in her work.

Stark’s most recent solo exhibitions include Intimism at the Art Institute of Chicago (2015) and Uh-Oh: Frances Stark 1991-2015, a traveling survey exhibition currently on view at the Museum of Fine Arts, Boston. She was the 2015 recipient of the Absolut Art Award.

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Du modernisme au contemporain:
la place du papier dans le musée d’art contemporain

Sunday, April 24, 2016
Presented at Papier16

In French
Presented by ART SPEAKS

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The historical transition from modern to contemporary art has lead to a change in the way artists use the support of paper and, often, a change in the manner of displaying these works in museum spaces. Museums dedicated to contemporary art are currently confronted with a choice regarding the consolidation of these historical periods in the conservation of works on paper. A panel of invited curators will discuss their various approaches and the place of historical works in their collections.

Moderator: Jean Gagnon,director of preservation and access to collections,Cinémathèque québécoise

Guests: Stéphane Aquin, chief curator, Hirshhorn Museum and Sculpture Garden, Washington, D.C.
John Zeppetelli, director and chief curator, MAC Musée d’art contemporain de Montréal

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